'And Russia was a Candy - Store.'

Recently, I visited the Museum of Russian Art, a lovely church-turned museum in Minneapolis, to look at their Nesting-Doll Exhibit. Indeed those little lacquer dolls are interesting little things, and this exhibit (though not overwhelmingly big) was quite nice, ranging from tiny painted peasant women to world figures to even tinier painted aristocratic women. While there, I also saw some startlingly beautiful old-ish and new-ish portraits and landscapes by Russian artists, and on the middle and tallest level, respectively.

In loose relation, I want to also bring up another startling beauty I found in the the music of one Nesey Gallons. He popped up awhile ago now, over in Elephant Six-land, and I am really taken with his songs. He has out one LP officially--Eyes & Eyes & Eyes Ago (ignoring those home-released discs, although I hope to see them too, someday)-- and it is just wonderful. I recommend it to people. (Incidentally, I actually spotted Mr. Nesey at a show once, [he's cute, too] but I was too bashful to say anything.) Anyway, his circles are released by his record label called Hurrah for Karamazov ( Dostoyevsky is brilliant) and much of his work tangles back to Russian themes. You see, there IS a connection. At any rate, his music is just so chillingly nice, sung in a forlorn, soft-spoken wail, with his guitar and dear Julian's accompaniments of saw, chord organ, and countless things. All together, it makes a big stew of niceties to the ears. Indeed melancholy may seem the mood, but when I hear Nesey's music, I always feel happy and hopeful. He is sort of the new kid, but from what I have been fortunate enough to hear, he's as marvelous and seasoned as the rest of that wonderful old collective. That's quite a nice thing.